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In his 13-year-old career, Madhur Bhandarkar has won accolades basically making one film. It is a film that tells us a woman on top in a man's world will invariably suffer doom, after an elaborate moral science session has played itself out on the screen.43071.JPG
That woman keeps changing with every new Bhandarkar release, but the film remains the same. The bar dancer of Chandni Bar, the fiery politician of Satta, the honcho in Corporate, the hack in Page 3 and the supermodel of Fashion have lived through photo-copied trials, tribulation and trauma, tweaked slyly to accommodate their respective occupational hazards.
Heroine offered Madhur the irresistible scope to track that formula in a Bollywood setup with Kareena Kapoor in the lead. The film runs on standard Madhur Bhandarkar fuel. You spot the filmmaker's penchant at creating fiction amidst a well-researched bag of facts. For Madhur, the research must have been easier this time since he was out exposing his own work space.

The film industry backdrop in Heroine is one you are aware of if you routinely dig the gossip glossies. It's a world where compromise is a way of life, friends and foes are chosen to suit vested interests and morality is a luxury you can ill-afford if you want to rise. And yes, a single woman bitten by the success bug will invariably have a price to pay.

The woman in question here is Kareena as superstar Mahi Arora. The chinks in Mahi's world of perfection are laid down soon enough.

Madhur's films are known to give the heroine one vital flaw that will facilitate downfall. In Mahi's case the flaw lies in her bipolar personality, obviously an outcome of the fact that she is a loner who pines for true love. She thinks she finds it in the married superstar Aryan Khanna (Arjun Rampal), but her obsession for the opportunistic Aryan can only lead to heartbreak. Rapidly growing unsure of what she wants, Mahi starts losing out. A career that demands nothing short a perfect image has no place for an actress with mood swings.

The problem with Heroine is the film banks on a weak script. Clearly, Madhur and his co-writers (Manoj Tyagi and Anuradha Tiwari) were trying to give us a more wicked update of Fashion, his 2008 film that also dug for showbiz skeletons. His new film however lacks the element of surprise. Worse, at a runtime of about two-and-half hours Heroine looks like a long-drawn boring affair.
There are the authentic snapshots on the way, though. Madhur unleashes a veritable guessing game straight off real-life Bollywood with individual scenes. An actress pours wine on the head of a star wife in a party. A cricketer (Randeep Hooda) is known for his glad eye for heroines. A 'family man' superstar (Sanjay Suri) insists on adding an item number by a top diva in his film to steal his heroine's thunder because she spurned his advances. A rival actress (Mugdha Godse) plays dirty to wrest a top endorsement deal. These are all straight off grapevine buzz.

Yet, none of these subplots take off because the film's assortment of characters essentially comprises cardboard cutouts.

The actor who suffers the most due to bad writing is Randeep Hooda. He gets the body language and style just right as the cricketing hero Angad Paul, only to be rudely yanked out of the script at one point.

It could all be redeemed by the star of the show. But then, Kareena surprisingly overacts. Despite being in almost every frame, she never really overcomes the highly flawed character she gets to play.

Madhur Bhandarkar, toasted for the heroine-oriented scripts he creates, has just given us his weakest female protagonist yet. That itself lays bare the irony about the film titled Heroine.

It’s been five days since Madhur Bhandarkar’s most hyped film Heroine starring Kareena Kapoor released. Film reviews weren’t as favourable for Bhandarkar’s directorial or Kareena’s acting skills, despite the two being accomplished Bollywood insiders. But Bhandarkar is unfazed by the verdicts in the media or the scathing analyses of the film. If anything, he is proud of the film as it is and is unapologetic about his creativity, or the lack of it in the film. Firstpost spoke to the director after the brickbats hushed down to whispers. Excerpts:

After reading and hearing all the verbose comments, most of them unpleasant, on your latest film, Heroine, is there anything you’d like to change or alter in the film?

I make films with conviction on subjects from different areas of life and varied premises. Every film of mine has met with a mixed response – it is not new for me at all to see such extreme reactions. From Chandni Bar to Heroine, I’ve faced mixed reviews. People have not liked all my films – Page 3, Corporate had people speaking against them more than for them.

I am very happy with Heroine and I have no regrets, creatively. Maybe in retrospect, over the years, I may do, but not right now. It is in every creative person’s nature to crave betterment and I am no different. I am extremely happy with Kareena Kapoor’s work in the film – she has pushed the envelope and her performance in the film has garnered amazing reviews all across the world.

My phone and BBM are flooded with praise for her work and that is very satisfying. People have been calling me and telling me Heroine is my best work, that I’ve done a great job as director and that Kareena and I are a fantastic combination.

Definitely, my creativity in the film, but Heroine was made on a budget of 21 crore and since its release, it has made 25 crore! The film has an "A” certificate and it has got Kareena playing the lead – I am overwhelmed by the audiences’ love for my film, Heroine. The box office collections of Heroine are stable and steady and we are going to make 15 crore on satellite rights and from the endorsements Kareena did in the film. Heroine is a profitable venture for all those involved in the film. The mathematics of the film have proved viable and I am pleased. Heroine’s box office collections in four days have surpassed Fashion’s, which was 27 crore. Heroine’s a blatant film and it worked at the box office and I’m a Bollywood insider and I did a good job with Heroine.

After all the innuendos on other actors’ lives via the characters in Heroine, how difficult will it be to cast for your next film?I don’t think any of that matters really. People should remember it is just a film. When I am ready with my next script, I’ll know.

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